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"There's no way I'm going to end a movie on a negative note." - John Hughes
He allegedly wrote Ferris Bueller's Day Off in four days, Planes, Trains and Automobiles in three days, The Breakfast Club in two days, and Vacation in a week. He never went to film school or studied cinema. And he spent most of his incredible career in the Midwest, far from the Hollywood Hills.
John Hughes was indeed one of the most prolific and successful filmmakers in Hollywood history. He helped launch the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, Macaulay Culkin, and Judd Nelson. He made John Candy a household name.
In this first illustrated tribute to the legendary filmmaker, author Kirk Honeycutt offers a behind-the-scenes look at the genius that was John Hughes--from his humble beginnings in direct mail to his blockbuster success with classics like Pretty in Pink, Sixteen Candles, Weird Science, and Home Alone. Honeycutt also explores the darker side of John Hughes: his extreme sensitivity, his stormy professional relationships, and the devastation Hughes experienced after the death of his closest friend, John Candy.
Featuring fresh interviews with Matthew Broderick, Ally Sheedy, Judd Nelson, Steve Martin, and Jon Cryer, and a foreword from Home Alone director Chris Columbus, this is the must-read for fans of John Hughes.
"This biography is a fascinating portrait of a brilliant, complex, and wonderful man. John Hughes forever transformed my world, and I am grateful for such a wonderful tribute." - Ally Sheedy
"John Hughes always treated me with respect and consideration, and was most generous with his insight. As a result of Mr. Honeycutt's detailed research, we learn John Hughes the person was even more impressive than John Hughes the writer/director. Reading this book was a bittersweet experience, making me feel the size of the loss of his premature passing. But it also confirmed for me that John Hughes was a giant, and under his great shadow I am fortunate to remain." - Judd Nelson
- Sales Rank: #213346 in Books
- Published on: 2015-03-25
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x 1.00" w x 9.63" l, .0 pounds
- Binding: Hardcover
- 224 pages
Review
STARRED REVIEW **
"Filmmaker John Hughes (1950-2009) captured the zeitgeist of suburban America in the 1980s and 1990s with his iconic teen-angst comedies and madcap cinematic romps. In this retrospective, film critic and blogger (honeycuttshollywood.com) �Honeycutt reviews Hughes's legacy of creating memorable characters such as the title character in Ferris Bueller's Day Off (1986), writing humorous and zany stories such as those of the "Vacation" and "Home Alone" movies, and spotting talented actors including Molly Ringwald, star of Sixteen Candles (1984) and Pretty in Pink (1986). While it is evident that the author is a fan, the book is not merely a nostalgic look back at an impressive filmography. Honeycutt takes a critical look at the filmmaker and his films. Even though Hughes's sensitivity and perfectionism led him to create believable "underdog" or "outsider" characters and endearing stories, these same traits also made it increasingly difficult for him to work with the actors, directors, and producers as his career progressed, eventually resulting in his retirement from filmmaking. VERDICT Reminiscent of a high school yearbook in format and filled with behind-the-scenes photos and movie posters, the book is perfect for film students, fans of Hughes's movies, and "I love the Eighties" devotees." - Library Journal
"...longtime Variety movie-industry reporter and critic and current film-studies professor Kirk Honeycutt's newly published retrospective, John Hughes: A Life In Film does something a bit different. Rather than examining Hughes's place in the broader cultural milieu or conducting an unauthorized census into Hughes's life story, Honeycutt takes us through a chronological tour of the Chicago native's two decades in show business. Starting with his transition from writing ad copy to joining National Lampoon's ranks and concluding on the bittersweet note of his somewhat infamous late-90s flops (Flubber, Baby's Day Out), Honeycutt also interviews collaborators including Matthew Broderick and Pretty in Pink director Howard Deutch (Hughes wrote the screenplay). The end result makes no bones about Hughes's erratic output and reputedly aloof personality, but also offers insight into creative and logistical process that went into his body of work." - FastCompany.com
"Overall, this is a wonderful collection of stories and insight about John Hughes the man and the filmmaker. If you are a child of the 80's, a film student or just a fan of John Hughes' films, this book is a must get." - TheActionElite.com
"There's something strange and final and weirdly satisfying about holding John Hughes: A Life in Film in your hands. The first thing I did when I looked through it was cry. First there's the warm wave of nostalgia that comes from seeing all of your favorite movies gathered together in one place. Then there's the bittersweet realization that all of the people and things you had understood to be contemporary are part of a bygone era." - MoviePie.com
"This biography is a fascinating portrait of a brilliant, complex, and wonderful man. John Hughes forever transformed my world, and I am grateful for such a wonderful tribute." - Ally Sheedy
"John Hughes always treated me with respect and consideration, and was most generous with his insight. As a result of Mr. Honeycutt's detailed research, we learn John Hughes the person was even more impressive than John Hughes the writer/director. Reading this book was a bittersweet experience, making me feel the size of the loss of his premature passing. But it also confirmed for me that John Hughes was a giant, and under his great shadow I am fortunate to remain." - Judd Nelson
"While high profile titles like The Breakfast Club are covered at great length, lesser appreciated works like Curly Sue and Hughes' many producing credits are thankfully given their time to shine much to the delight of film enthusiasts. Honeycutt's insight into Hughes' loving family life and tearjerking friendship with John Candy make for some of the book's more humanizing moments. Bursting with colorful photographs and fueled with genuine passion for its subject, Author Kirk Honeycutt's John Hughes: A Life in Film nicely captures the complexities and genius of the eternally youthful Hughes." - Mike's Pop Culture Playhouse
About the Author
Kirk Honeycutt was chief film critic for The Hollywood Reporter for many years and subsequent to that, senior film reporter for that publication. He has covered major industry developments and has regularly attended such film festivals as Cannes, Sundance, Berlin, Toronto, Pusan, and Montreal while serving on juries at other festivals.
Earlier in his career, he was chief film critic for the Los Angeles Daily News, a regular contributor to the New York Times' Arts & Leisure section, and a film columnist for the Los Angeles Times.
Honeycutt is a member of the prestigious Los Angeles Film Critics Association, and is the creator of Honeycutt's Hollywood (honeycuttshollywood.com), a popular film review website. He appears regularly on television, radio, and podcasts, and currently teaches at Chapman University's Dodge College of Film and Media Arts. He lives with his wife, Mira, in Los Angeles.
Most helpful customer reviews
10 of 10 people found the following review helpful.
This 200-page coffee table book is beautifully designed with some great photos
By melissa ranieri
As someone who grew up in Chicago in the 1980s and 90s, I have long anticipated an in-depth book about the life and career of the incredibly talented, prolific and somewhat mysterious John Hughes. Unfortunately, I must continue waiting. This 200-page coffee table book is beautifully designed with some great photos, and provides all the necessary surface information about Hughes and his career, but the content lacks depth, and is devoid of any real revelation.
Right off the bat, the book admits in its opening pages that the Hughes family as well as some of his closest friends all refused to be interviewed, immediately squashing any hope of getting some in-depth insight into Hughes and his departure from Hollywood. Also, the book is loaded with typos and errors. For example, on page 3, a set photo of Hughes, Molly Ringwald and Michael Schoeffling on the set of SIXTEEN CANDLES is misidentified as being from the set of PRETTY IN PINK. While this error may seem minor and mistakes do indeed happen, one would think an editor would try to ensure that at least the first ten pages are near perfect, for if the author demonstrates in the first three pages that he apparently cannot tell the filmmaker's films apart, why should the reader believe he is worthy of writing an entire book on the man?
The opening chapters about Hughes working as an ad man at Leo Burnett while moonlighting as a joke writer and magazine editor were thankfully fulfilling. I always wanted to learn more about his start, and how he maintained his career from Chicago. However, the examination of Hughes's films are incredibly uneven, and disappointing as a result. While both SIXTEEN CANDLES and especially Hughes's most famous film THE BREAKFAST CLUB are richly profiled (23 pages are dedicated to the latter alone), other beloved Hughes classics like PLANES, TRAINS AND AUTOMOBILES are restricted to only a few pages. Hughes's screenplays are some of the most enjoyable reads because they often include extensive material--scenes, characters and at times even entire subplots--that were subsequently cut from the final film. While Honeycutt includes some of these interesting omissions for some films, he neglects to detail them for others (He neglects to mention a draft of PLANES, TRAINS AND AUTOMOBILES that reveals John Candy's Del Griffin has actually been manipulating some of the film's events so that Steve Martin's Neil Page will be forced to spend the holiday with him. A revelation that would've totally changed the nature of the character). This uneven approach gets even more frustrating as it moves into Hughes's family-centric comedies of the 90s. Only two light pages are dedicated to Hughes's final directorial effort CURLY SUE, and some of his late films are relegated to a couple paragraphs. For a 90s kid, these films were just as much a part of one's childhood as his classic teen comedies of the 80s, and I wanted more. Some of Hughes' films are more or less skipped. EUROPEAN VACATION is reduced to a sidebar, and perhaps Hughes's least known film, REACH THE ROCK is mentioned in only a few brief sentences.
Also, Honeycutt's tendency to insert his own personal criticism of a number of the films proves tedious, and at time calls into question how much he personally enjoyed Hughes's filmography. While the man is certainly entitled to his opinion, (I agree with his negative review of PRETTY IN PINK, but disagree with the same opinion of SOME KIND OF WONDERFUL), he dismisses CHRISTMAS VACATION as "a tepid affair" that "wastes an unusually fine cast" with "predictable and contrived" slapstick that "falls short--no pun intended." All this despite its 7.5 rating on IMDb and current status as a holiday classic that often plays for a 24-hour stretch on Christmas. Again, he is entitled to his opinion, but a coffee table book dedicated to a specific filmmaker hardly feels like the proper venue to voice it, unless he was that desperate to fill these 200 pages.
But the biggest letdown is the surprising lack of examination into Hughes's post-Hollywood life. For this reason specifically, I would personally recommend David Kamp's lengthy VANITY FAIR article "Sweet Bard of Youth," that was published in March 2010, which is a far more satisfying examination of Hughes's departure from public life than this book. Unlike Honeycutt, Kamp managed to interview Hughes's two sons, John III and James, who provided a picture of how Hughes continued to write endlessly during his retirement, and even profiles his final days and morning in great detail with a poignant ending. Unfortunately, Honeycutt devotes only a few brief pages to this segment of Hughes's life, the chapter I'd imagine the majority of fans are most curious about.
It's a pretty book, and it possesses a superficial overview of Hughes's work. For that I shall keep it on my shelf for any of my fellow Hughes fans to thumb through, but I continue to pine for that definitive and insightful book on one of my favorite filmmakers.
8 of 8 people found the following review helpful.
If You Lived and Loved John Hughes's Movies, You'll Love This Book!
By Steve 1967
John Hughes was probably the most successful and influential filmmaker of the late 80's and 90's, next to Steven Spielberg. For me, a high school student in the 80's (Class of '85!), his movies were far more impactful. The sheer number of the movies he either wrote, directed or produced is staggering for such a relatively short career. These included National Lampoon's Vacation, European Vacation, Weird Science, Pretty In Pink, Sixteen Candles, The Breakfast Club, Home Alone, Uncle Buck, Ferris Bueller's Day Off...all huge movies at the box office. And there's several I had no idea he was involved in: Dutch? Curly Sue? 101 Dalmatians? Dumb and Dumber? Yes, indeed.
This book is great for fans of Hughes's movies who still list so many of them as their favorites. It gives a ton of information about the making of the movies, from writing, to filming, to the studio's involvement in the process. There's great quotes and info from studio folks, especially; Hughes's tangled with several execs thru his career. For me, the stories on how these movies were made was my favorite parts of the book...there's some fascinating stories there (I won't give any spoilers here!).
Part biography and part filmography, this book covers it all, from the personal to the professional.
My favorite Hughes movies were and still are Weird Science, Sixteen Candles, Planes, Trains, & Automobiles, Ferris Buerller and The Breakfast Club. It was great to learn so much about how these movies were made and what Hughes was shooting for in creating them. The details about Hughes's upbringing, what shaped his worldview and his personal life and how that impacted his movies was very compelling. As were the stories about the start of his career (I never knew he was at National Lampoon, nor that he wrote the movie National Lampoon's Vacation).
All told, if Hughes movies still move you, and your a film buff especially, this book is a "must-have"
0 of 0 people found the following review helpful.
A must-have for any John Hughes fan!
By CaliGirl
I've always been a fan of John Hughes and his movies so I was excited to read this book. It does not disappoint! Great inside information on the genius of Joh Hughes from his early years onward. Fun pictures and behind-the-scenes access.
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